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203rd Arrowheads to post 202nd Details.

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203rd Post. Arrowhead dating? "When I Kreuthau"

Much is believed to have learned to read and references on the basis of surface finds in the overall context dated somewhat over the years.

If you look at the 3-5 arrow tips of the Kreuthau I , it's clear that one should make such a date not certain based on these five arrowheads.

taken every projectile itself, are different time horizons in question: top right, the two projectiles are retouched shaping lateral, predominantly (right complete) to posterior, the left but from Graum chert in the tip region due to shaping, anteriorly. With these features, plus the lack of basic retouching, they might well into the middle band of ceramics (early Neolithic) (Common ways but rich dorsoventral retouching edges that start in the early Neolithic up to the Late Neolithic fit).

on one and the same reference then down the three-flat bifacial retouched projectile with a straight or convex ausgprägter easier and clearer convex base retouching. They occur not later than the Schussenried and take in the course of the Neolithic in importance.

One is almost inclined to tend to assume, as if the arrow points to the time when the safest and therefore subject to a undatable taste. If you look at the form as part of circle of certain stratified Bronze Age evidence, one might be all knowledge into question and make the famous quote: "I know that I know nothing" whisper ...

So at the end of the execution is here for sure: Taken on their own, without accompanying finds and stratigraphy: New Stone Age, as more time slots left unen perhaps the youngest projectile, more to the right, up, perhaps even older. I can not even serious and the controversy in the forums of the Internet which also participate in professional archaeologists confirmed that no archaeological and thereby be tapped stratigraphy probably not serious can go.

There are, to talk with Joachim Hahn in Europe only a few forms that may as typical of a certain level. (See Morgan 1983, Flenniken, Raymond 1986) are given in our region and not just because the pedicle and winged spikes as they appear in Endneolithkum to the metal time into it. This time horizon is set to " Kreuthau When I" not yet been reached (the Middle Neolithic may have already been overcome, with reference to the accompanying descriptive yet close to the ceramic tape ceramic despite arrowheads).

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202nd Post. (Young) Neolithic cultural impact on Erbach-Ringingen / pagans?

scratches High scratch cap.
arrowheads
scratches
Pierced rock artifact / adze. Semi-finished product. During the manufacture broken? Carefully assess the ax a secondary use will be supplied.
drill down the middle, maybe jointed?

was thus present the small group finds so far. Now the individual artifacts are well illustrated and in magazines.

202nd Post. Neolithic settlement, near Erbach Ringingen. District Allmendingen-Altheim.

A (- probably young -) Neolithic settlement, which was under the application of a gas pipeline route will be discovered, delivered a few tools,

and even less debris and artifacts of the basic production, the tools, however, are of very good quality, as also the raw material used for this purpose. That the - reported settlement after a few years it has earned, to take the artifacts from there again to more closely is beyond question. Especially the (very high) scratch with their fins folded shaped stand (compressed?) Scratches out caps. You and the arrowheads point probably in the Neolithic and would ensure continued colonization of Erbach-Ringingen Corridor nations that is unique to LBK and older.

A semi-finished product a perforated stone ax is a further indication of the perceived time horizon. The conical bore in a ground already amphibolite was canceled.

The settlement is warehoused at: Kreuthau I, named after the nearby wooded area on the boundary Allmendingen-Altheim.

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Aenne Langhorst: "Short Film Verton, movies and music

For more information Aenne Langhorst will show that evening their Kurzfilexperimente. Since all still have no sound track, it will be produced live at the gallery of the artist. She will be accompanied by Astrid Hagenuth (guitar) and Nick (drums). In addition, her photographs, installations and collages to see. Always audible and worth seeing.

time Friday, 11th March at 20:00 - 12 March at 02:00 local

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" waiting for enlightenment, "paintings by Ursula Krämer



Opening: Friday, 18 March 2011 by 19 clock timezone
Gallery
Adalbert Strasse 79,
10 997 Berlin
underground station Kottbusser Tor

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exhibition opening on Friday
the 11/3/2011 clock at 19.00
in the district - Centre - North City
Klaus-Müller-Kilian-Weg 2
(Schaufelder Street)
www.stadtteil center-nordstadt.de

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two hundred and first Post. Core edge blades.

basic component of a controlled blade production is the Leitgrat, which can exist either as a natural edge, for example, between cortex and divide space, or a stuffed ridge (Hahn, artifact morphology 1991) The ridge is called Leitgrat prepared. Since the preparation of Leitgrats impact direction is perpendicular to the future, they can be easily recognized preparation waste. Because of the negative and the nature of the degradation they can be divided into natural, primary and secondary core edge blades.

to be differentiated further, cause here but too far would. Than merely advance preparation they were rejected not always easy, but were also used as tools, for example with additional dressing as a drill or scratches are virtually specific evidence of the mining techniques and tools simultaneously. The striking blade negatives, single or double fall immediately so that they can not be created at the impact blade as retouching. In such experiments would break the blade.

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200th Post. Blade cores with Calcitdrusen. of the Höfermahd in Wippingen.

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199th Post. Special Bucher Hornstein?

a "top blade" of the Wippingen Höfermahd whose speech is made even more headaches and might pass as exceptionally long projectile of the late Neolithic - is made of an equally unusual material. The retouched dorsal blade of a pink color, which I believe is not by annealing, but even by naturally occurring is coloring, perhaps by iron oxides during the secondary storage (by bean ore) emerged. The basic form is from the bark area of the tuber and the blade with retouched on the dorsal cortex something that was left "not to endanger the shaping retouching" to see if you will. Arrowhead with cortex, however, are not uncommon and seem not to affect the function. Right lateral to the proximal end there are few ventrally running retouching, which might have been necessary for a scarf. Sharp blades are true universal tools, but especially the Ventralretusche speaks more for an arrowhead. Since there is no mandatory size criteria is for> daggers is to think also, and the artifact is moved in a previous post in this area. This is primarily about the raw material.

special book from an occurrence of pink (not annealed) chert is known.

http://praehistorische-lithothek.de/page9.php # JUH% 20Halde . It is the "pink" chert from the floor "heap" which is described in the linked Lithothek. The author of the Lithothek there has ensured even in the special book documents. (Mark77)

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198th Post.
Mesolithic / Neolithic. The interface from the hunter-gatherer to sedentary people.
Small, Mesolithic residual core
small residual Mesolithic core, ditto above.
Mesolithic scratches
Mesolithic scratches, probably from Bohnerzhornstein, is not from the local reservoirs. had
fins Negative On Mesolithic core
a secondary function as a "scratch.


198. Post. Mesolithic / Neolithic.

If somewhere much early Neolithic (Linear Pottery settlements, have special order book) are, then there is the obvious question after the preceding crop. Earliest Pottery settlement findings are very rare and settlement activities put in a special book with the middle band ceramic, which shows the existing ceramic evidence. The transitions between cultures, which were certainly flowing are particularly interesting because it's not occurred overnight, but were made by a more or less long process.

The hunters and gatherers "disappeared" is not simply from the scene in the Mesolithic and the first farmers and so sedentary settlers of the Blaubeuren Alb came here not as a new and first "settlers" in appearance.

Humanity moving in the Talhöhlen to return to the Middle (Neanderthals) and increases with the second wave of settlement "out of Africa" its spectacular progress. (First of art and musical instruments of modern man in Hohle Fels and Geißenklösterle)

As resources - play for the equipment manufacturing already in the Paleolithic a role, and perhaps in the Middle Neolithic by Ping - - Hornstein the funnel-shaped reducing chert as the Borgerhau learn at Asch its peak, has the question even after the Mesolithic period. The survey by Lynn Fisher, Corina Knipper, et. al. is always also evidence established in this period, to my knowledge but only nuclei and the mining technology of these nuclei, which is in the Mesolithic is usually associated with the tempering of the material.

also find in my collection to numerous references to special book and looking Asch Mesolithic (small, heat-treated) seeds and residual nuclei, which are distinct from the Neolithic artifacts. The later Linear Pottery is characterized by a vast industrial blades. The story so far but for the time of the (early?) Mesolithic missing, are diagnostic tools that microliths. The Mesolithic artifact material is colored pink by annealing, or in gray chert has a high luster that is not caused by use.

images: nuclei and residual nucleus, or a small, well-Mesolithic scratches.

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multimedia / installation / projection / video exhibition

12th to 27 March 2011
Wednesday to Sunday 18-21 clock
Opening: Saturday 12 March, 18 clock
Prof. Dr. Sabine Foraita, Hildesheim, introduces the exhibition.

Closing: Sunday, 27 March, 18 clock
Prof. Eckhard Meier Wester and Marlene Klünker read "Moving Space".

Is the digital world blessing and a curse? What is our media future?

future media designers offer an avant-garde taste their creativity and insights into the digital mobile world of tomorrow. They are studying design at the University of Applied Sciences and Arts (HAWK) Hildesheim.

Marlene Klünker invites you to retrieve their mood psycho-active animation films. Sandro Engel donates to users worldwide to participate in the creation of an artwork. Alexander Köhler shows the unconventional beauty the growing flood of data. Johannes Becker and Philip Nottelmann lead pleasurable and instructive to the world of urban characters. About screens a political ballet choreographed Irina Fischer and Lutz Forster looks to the future history of the World Wide Web. Wester Eckhard Meier, where Dürer's hare runs long and Alexander climbing stages a cryptic visualization of traffic operations.

Leader: Wester Eckhard Meier, Professor of motion design, HAWK
curation: Alexander Steig, a lecturer in motion design, HAWK
details of the work under www.make-some-space.de
art and meeting
Hermannshof eV

Roese
33 31832 Springe-Völksen
05041-8530